Born |
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1972 Hillingdon, UK |
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Education |
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2000-2004 |
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PhD ‘An Investigation into the Potential of Ceramics to Expressively Render Flesh and Skin on the Human Form’, University of Wales Institute, Cardiff |
1999-2000 |
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MA Ceramics, Distinction University of Wales Institute, Cardiff |
1996-1997 |
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PGCE, Pass, University of Central England, Birmingham |
1992-1995 |
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BA (Hons) Fine Art: Painting 2:1, Kent Institute of Art and Design, Canterbury |
1990-1992 |
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Foundation, Pass, Cambridge Regional College |
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Selected Exhibitions |
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2005-2006 |
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Bodyworks, Aberystwyth Arts Centre (Touring exhibition), Shipley Art Gallery |
2005 |
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The Fragmented Figure, University of Wales Institute, Cardiff, Howard Gardens Gallery |
2004 |
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Ceramic Purchase Prize, University of Glamorgan, Pontypridd |
2002-2003 |
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Ceramic Contemporaries 4, Royal College of Art, London (Touring exhibition), Harley Gallery, Nottinghamshire, Wrexham Art Gallery, Wales. Collins Gallery, Glasgow, Aberystwyth Arts Centre, Wales |
2002 |
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Zelli Porcelain Prize, London, Marylebone |
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Selected Publications by Dr N Mayo |
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The Role of Narrative, issue 42, Kerameiki Techni in Claire Curneen’s Ceramics |
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The Human Condition, Issue 56, Ceramics in Society, Guest Editor & Contributor |
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Philip Eglin’s Multilayered Iconography, Philip Eglin’s ceramics |
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A vantage Point between Past and Present, Richard Slee’s Ceramics |
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The Expression of Flesh and Skin, Natasha Mayo’s Ceramics |
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Claire Curneen: Succur, Artist Newsletter |
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Selected Articles About/Citing Dr N Mayo |
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Ceramic Review, CR219 Dr Jo Dahn, Figurative Ceramics (Review of UWIC coordinated and Currated Exhibition) |
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Bodyworks: figurative ceramics with a Cardiff connection. 2005, Dr Jo Dahn and Moira Vincentelli ISBN 1 899095 23 3 |
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Ceramic Art Monthly, Issue 219, Sonny Hyo Kim, Natasha Mayo. ISBN 1228-0755 |
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Ceramic Contemporaries 4, 2002, NACHE. ISBN 0-9527490-2-5, (National Association of Ceramics in Higher Ed.) |
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Selected Conference Papers: |
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2001 |
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Theorizing Practice, A Research Culture for Ceramics University of Westminster, Harrow |
2002 |
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A Practice-led Phd, Craft in the 21st century: Theorising change in Practice. University of Edinbugh, Art College |
2003 |
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Expression of Flesh, Theory in education. Aberystywth International Arts and Skin Festival, Aberystwyth |
2004 |
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PhD Research, Practice and Reflection II, Frome Arts Centre |
2003 |
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The Gendered Figure, To Accompany Exhibition Entitled ‘The Female Form’. Craft in the Bay: The Makers Guild, Cardiff |
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Collaborative Research |
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2006 – |
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Contributing Editor, Interpreting Ceramics Research Collaboration, www.interpretingceramics.com |
2003 – |
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Centre for Ceramic Studies, Cardiff, University of Wales Institute, Cardiff |
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Representation on Data Base |
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www.fragmentedfigure.com Dr. Natasha Mayo and Michael Hose Assoc. with www.Interpretingceramics.com Centre for Ceramic Studies, Cardiff, |
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Festival Impact on Ceramic Practice, Penny Collett Craft Culture, Victoria, Melborne Electronic Archive |
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www.cardiffceramics.com University of Wales Institute, Cardiff |
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Awards |
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1999-2000 |
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Arts and Humanities Research Council |
2002 |
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Zelli Porcelain Prize |
2000-2003 |
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Arts and Humanities Research Council |
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